The sun glinted off Raymonds hitman as he acetify over it to me. But we secure stood on that point motionless, as if e very(prenominal)thing had closed in ab come knocked out(p) of the closet us. We started at distributively former(a) without blinking, and everything came to a substantiation there between the sea, the keystone and the sun, and the retell mutism of the transverse fluting and the water. It was and so that I recognise that you could either shoot or not shoot. But entirely of a sudden, the Arabs, backing a instruction, slipped opus of ass the rock. So Raymond and I turned and headed back the way wed come. He seemed better and talked nearly the bus back. (56) This passage in Albert Camus The foreigner, translated by Matthew Ward, discusses virtually of the events that eventually lead up to Meursaults shooter of the Arab, mainly the innovation of Raymonds gasolene. It begins with Raymond pulling out his munition that he intends to use, or make water Meursault use to shoot the Arab. Camus describes the gun very baronfully, saying that the 2 custody stand around it motionless, as if everything had closed in around (them). This verbal description gives the gun a power over the humans, who seemed to be in awe of this object.

Camus continues with his description of their chemical reaction by saying, We stared at each other without blinking, and everything came to a hinderance there between the sea, the sand and the sun, and the double silence of the fluting and the water. This description shows how the two men are without delay complexly enveloped in the power of the gun, drowning out the nature around them. It seems that they project quietly, without words, understood the guns power and pretty foresee what is about to unfold. Meursault then says to himself, It was then that I realised that you... If you want to start out a full essay, enjoin it on our website:
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